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Anatomie of Abuses, The, by Philip Stubbes, was entered upon the Stationers’ Register in 1582–83; republished by the New Shakspere Society in 18777–79 under the editorship of Frederick I. Furnivall. 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Under matters spiritual the author sets forth the Church’s sins of omission rather than of commission; but he treats of wrong preferment, of simony, and of the evils of substitution. And the Venetian hosen, they reach beneath the knee to the gartering place to the Leg, where they are tyed finely with silk points, or some such like, and laied on also with reeves of lace, or gardes as the other before. Under temporal corruptions the author considers abuses in law, in education, in trade, in the manufacture of apparel, in the relief of the poor, in husbandry and farming. The Anatomy of Abuse led me on an emotional roller coaster of sorrow, anger, irritation, and emotional empathy. It consisted of a virulent attack on the manners, customs, amusements and fashions of the period including the theatre, gambling, alcohol and fashion. Part First deals with the abuses of Pride, of Men’s and Women’s Apparel; of the vices of whoredom, gluttony, drunkenness, covetousness, usury, swearing, Sabbath-breaking, stage-plays; of the evils of the Lords of Misrule, of May-games, church-ales, wakes, feasts, of “pestiferous dancing,” of music, cards, dice-tables, tennis, bowls, bear-baiting; of cock-fighting, hawking, and hunting, on the Sabbath; of markets, fairs, and football playing, also on the Sabbath; and finally of the reading of wicked books: the whole being followed by a chapter on the remedy for these evils. 87v–92r). ‘Ailgna’ is an anagram of ‘Anglia’, another name for England. Unfortunately, abuse is very much prevalent in the lives of many, either as a current problem, or as a body memory that tortures the person from within, on an ongoing basis. clothing (pp. On pride of apparel, i.e. The faceless anatomy of abuse Abuse is faceless, it cuts across the intersection of race, gender, class, sexual orientation and age. The entire work is most valuable, as throwing vivid light upon the manners and customs of the time, especially in the matter of dress. 54r–58v), On stage plays and their wickedness (pp. He also considers abuses among doctors, chandlers, barbers, apothecaries, astronomers, astrologers, and prognosticators. The Anatomie of Abuses is presented as a dialogue between Philoponus and Spudeus that summarises ‘Notable Vices and Imperfections, as now raigne in many Countreyes of the World: but (especiallye) in a famous ILANDE called AILGNA’. It is savage like a lion in a jungle; it … printed by R. Iones, London under title: The anatomie of abuses (STC 23376) Although modern readers may well consider some of his views to be excessively restrictive, The Anatomie of Abuses also has a positive side in its recurring interest in the plight of the poor. Thomas Nash makes a savage attack on the ‘Anatomie’ and its author, in a tract published in 1589. The Anatomie of Abuses and Harrison’s Description of England, which is dealt with elsewhere, are our two chief contemporary sources of information upon the social and economic conditions of the Shakespearean period. Phillip Stubbes's Anatomy of abuses in England in Shakspere's youth, A.D. 1583 : Part II: The display of corruptions requiring reformation by Stubbes, Phillip ; Furnivall, Frederick James, 1825-1910 Stubbes has been described as a Puritan (or at least puritanical), but although he was undoubtedly a pious Christian, he supported the established Church. Usually, I don’t spend my time contemplating abuse, but prefer the rosier world-view of loving oneself, loving another and loving the universe. The author's prose is conversational, but the stories don't shy away from ugliness or pain. In The Anatomie of Abuses, Philip Stubbes – a pamphleteer – rails against aspects of popular culture that he believes are immoral and in need of reform if his fellow countrymen and women are to escape punishment from God. Anatomie of Abuses, The, by Philip Stubbes, was entered upon the Stationers’ Register in 1582–83; republished by the New Shakspere Society in 18777–79 under the editorship of Frederick I. Furnivall. men’s clothes (pp. Edition Notes Reprint of the 1583 ed. The editor believes him to have been a gentleman—“either by birth, profession, or both”; to have written, from 1581 to 1610, pamphlets and books strongly on the Puritan side; before 1583 to have spent “seven winters and more, traveling from place to place, even all the land over indifferently.” It is supposed that in 1586 he married a girl of fourteen. These are in the form of a dialogue between Spudens and Philoponus (Stubbes), concerning the wickedness of the people of Ailgna (England). The Anatomie of Abuses is presented as a dialogue between Philoponus and Spudeus that summarises ‘Notable Vices and Imperfections, as now raigne in many Countreyes of the World: but (especiallye) in a famous ILANDE called AILGNA’. Her death occurred four years and a half afterwards, following not many weeks the birth of a “goodly man childe.” Stubbes’s own death is supposed to have taken place not long after 1610. And yet notwithstanding all this is not sufficient, except they be made of silk, velvet, saten damask, and other such precious things beside.”. The characters are well developed and each story serves as a backdrop to an important discussion on various types of abuse. It is still read for its full information on the cultural attitudes of the time. Warner, et al., comp. C.D. In 1583 he published his best-known work, The Anatomie of Abuses. On women wearing doublets and jerkins, i.e. ‘The Anatomie of Abuses’ was published in two parts. For example, it gives a good description of the May festivities repeatedly alluded to in A Midsummer Night’s Dream. An entire Elizabethan wardrobe of fashion might be reproduced from Stubbes’s circumstantial descriptions. On the evils and punishment of whoredom (pp. This most curious work—without the aid of which, in the opinion of the editor, “no one can pretend to know Shakspere’s England”—is an exposure of the abuses and corruptions existing in all classes of Elizabethan society. Concerning hose he writes: “The Gally-hosen are made very large and wide, reaching downe to their knees onely, with three or four guardes a peece laid down along either hose. 37v–38r). Diane Purkiss discusses Renaissance beliefs about witches and shows how, in Macbeth, Shakespeare blurs the line between the witches and Lady Macbeth. The Library of the World’s Best Literature. The subjects that come under criticism include some we might expect – visiting prostitutes, lending money at interest, drunkenness and gluttony – and others we may find surprising – the wearing of fancy clothing, the variety of hats available, attending the theatre, playing sports and dancing. Kate McLuskie explores how Shakespeare used a comic framework in Measure for Measure to debate ideas about rights, responsibilities and the social regulation of sexual relations. As well as being an entertaining read, The Anatomie of Abuses is also a very useful source of information about Elizabethan culture and pastimes. printed by R. Iones, London under title: The anatomie of abuses (STC 23376) Series Theatrum redivivum Genre Early works to … Written from the Puritan standpoint, it is yet not over-prejudiced nor bigoted. 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